tag:blogger.com,1999:blog-2305546345112770141.post4553155901563865495..comments2023-06-29T21:09:34.548+10:00Comments on bodies in trouble: untitled painting 4peter maloneyhttp://www.blogger.com/profile/03334494120125656723noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2305546345112770141.post-33154503642513814812012-06-19T17:38:45.527+10:002012-06-19T17:38:45.527+10:00Bill, thanks SO much for visiting...and for the we...Bill, thanks SO much for visiting...and for the welcome and felicitous comments. I feel like I have had a studio visit from a well-versed critic..only you never resort to cliche or mystification.<br />levitation/elevation of colour is EXACTLY what i have been aiming for with this series.you are spot on my friend!peter maloneyhttps://www.blogger.com/profile/03334494120125656723noreply@blogger.comtag:blogger.com,1999:blog-2305546345112770141.post-10191067817543125242012-06-19T14:39:13.011+10:002012-06-19T14:39:13.011+10:00Rob did a great job. As did you. I love when color...Rob did a great job. As did you. I love when color achieves levitation as here. I only recently discovered Abbie Loy Kemarre's (sp?) work and fell in love. But the aboriginal, 40k year thing always sends me into a visual swoon. Forget Hirst. I'll take the Dreamtime anyday.William Kecklerhttps://www.blogger.com/profile/09492547054986452311noreply@blogger.com